In the traditional film production, sound recording still has a certain status. EB (electronic reporting) teams, however, don’t necessarily handle it in a professional way, often even neglecting it completely. This can lead to ongoing problems with the sound. More understanding and attention from editors, directors and other responsible people could help though. Everyone is at least a bit interested in camera technology, mainly because the result is visible. The interest in sound engineering and recording, however, is still extremely poor.
We have asked Michael Mücher, a trainer and expert for video, TV and audio a few simple, ever-recurring questions. The interview was conducted by Nils van Well, project manager Volkswagen TV.